This building has the shape of a small theatre with the stage building, seating places and the orchestra.It had double function in use. First it was used as a Bouleuterion for the meetings of the Boulea or the Senate. The second fuction was the Odeum as a concert hall for the performances.It was constructed in the 2nd century A.D by the order of Publius Vedius Antonius and his wife Flavia paiana, two wealthy citizens in Ephesus. It had a capacity of 1500 spectators. It had 3 doors opening from the stage to the podium. The podium was narrow and one meter higher than the orchestra section. The stage building was two-storeyed and embellished with columns.The podium in front of the stage building and some parts of the seating were restored. The Odeon used to be enclosed with a wooden roof.

Ephesus Marble Road is the road starting form the great theatre to the Celsus Library, which is the portion of the sacred way that leads past Panayir dagi to the Temple of Artemis. The construction of the marble road dates to the 1st century A.D, and it was rebuilt in the 5th century. The western side of the road is enclosed by the agora wall, and on the wall is a higher platform, which was constructed during the reign of Nero. It was built over the wall, for pedestrians.

Temple of Hadrian is one of the best preserved and most beautiful structures on Curetes Street. It was built before 138 A.D by P. Quintilius and was dedicated to the Emperor Hadrian, who came to visit the city from Athens in 128 A.D The facade of the temple has four Corinthian columns supporting a curved arch, in the middle of which contains a relief of Tyche, goddess of victory. The side columns are square. The pedestal with inscriptions in front of the temple, are the bases for the statues of the emperors between 293-305 CE, Diocletian, Maximian, Constantius I, and Galerius; the originals of the statues have not been found yet.

Celsus Library is one of the most beautiful structures in Ephesus. Celcius Library was built in 117 A.D. Celsus Library was a monumental tomb for Gaius Julius Celsus Polemaeanus, the governor of the province of Asia; from his son Galius Julius Aquila. The grave of Celsus was beneath the ground floor, across the entrance and there was a statue of Athena over it. Because Athena was the goddess of the wisdom. The scrolls of the manuscripts were kept in cupboards in niches on the walls. There were double walls behind the bookcases to prevent the them from the extremes of temperature and humidity. The capacity of the library was more than 12,000 scrolls. It was the third richest library in ancient times after the Alexandra and Pergamum.

Ephesus theatre is the most magnificent structure in Ephesus ancient city. The Ephesus Great Theatre is located on the slope of Panayir Hill, opposite the Harbor Street, and easily seen when entering from the south entrance to Ephesus. It was first constructed in the Hellenistic Period, in the third century BC during the reign of Lysimachos, but then during the Roman Period, it was enlarged and formed its current style that is seen today. It is the largest in Anatolia and has the capacity of 25,000 seats. The cavea has sixty six rows of seats, divided by two diazoma (walkway between seats) into three horizontal sections. There are three sections of seats. In the lower section, Marble pieces, used for restoration, and the Emperor's Box were found. The seats with backs ,made of marble, were reserved for important people. The audience entered from the upper cavea.

House of Virgin Mary is located on the top of the "Bulbul" mountain 9 km ahead of Ephesus, the shrine of Virgin Mary enjoys a marvelous atmosphere hidden in the green. It is the place where Mary may have spent her last days. Indeed, she may have come in the area together with Saint John, who spent several years in the area to spread Christianity. Mary preferred this remote place rather than living in crowded place. The house of Virgin Mary is a typical Roman architectural example, entirely made of stones. In the 4th century AD, a church, combining her house and grave, has been built. The original two-stored house, which consisted of an anteroom (where today candles are proposed), bedroom and praying room (Christian church area) and a room with fireplace (chapel for Muslims). A front kitchen fell into ruins and has been restored in 1940's. Today, only the central part and a room on the right of the altar are open to visitors.

Caravanserais have been used since the 10th century. Trade across Turkey in medieval Seljuk times was dependent on camel trains (kervan, anglicized as caravan), which stopped by night in inns known as kervansaray or caravanserai , literally 'caravan palaces'. These buildings provided accommodation and other amenities for the merchants and stabling for their animals. Caravanseraies were first seen in Central Asia during the times of Caravans, Ghaznavids and the Great Seljuk State. They were building fortresses called "Ribat". These buildings, first constructed as small buildings for military uses were later developed and changed into larger buildings and were used for both religious purposes and as inns for travellers.

The ancient name was Enegup. Caves may have first been built in the soft volcanic rock by the Phrygians, an Indo-European people, in the 8th–7th centuries B.C., according to the Turkish Department of Culture. When the Phrygian language died out in Roman times, replaced with Greek, to which it was related, the inhabitants, now Christians, expanded their caverns adding the chapels and inscriptions. The city was greatly expanded and deepened in the Byzantine era, when it was used for protection from Muslim Arab raids during the four centuries of Arab–Byzantine wars (780-1180). The city was connected with Derinkuyu underground city through miles of tunnels. Some artifacts discovered in these underground settlements belong to the Middle Byzantine Period, between the 5th and the 10th centuries A.D. These cities continued to be used by the Christian inhabitants as protection from the Mongolian incursions of Timur in the 14th century.

The underground city at Derinkuyu could be closed from the inside with large stone doors. Each floor could be closed off separately. The city could accommodate up to 20,000 people and had amenities found in other underground complexes[citation needed] across Cappadocia, such as wine and oil presses, stables, cellars, storage rooms, refectories, and chapels. Unique to the Derinkuyu complex and located on the second floor is a spacious room with a barrel-vaulted ceiling. It has been reported that this room was used as a religious school and the rooms to the left were studies. Starting between the third and fourth levels are a series of vertical staircases, which lead to a cruciform church on the lowest (fifth) level. The large 55-metre (180 ft) ventilation shaft appears to have been used as a well. The shaft provided water to both the villagers above and, if the outside world was not accessible, to those in hiding.

The natural rock citadel of Uchisar Castle offers a panoramic view over the surrounding landscape of valleys, mountains, and towns. The tallest fairy chimney in Cappadocia is carved with numerous rooms, tunnels, stairs, rock tombs, and a large water cistern.

Carved into the soft volcanic tuff. Since ancient times Pigeons have been used in the Cappadocia region for food and fertiliser for the infertile soil. While pigeons no longer play such an important role in the area, their rocky homes have still been maintained by locals and can be found atop rock pillars and inside excavated cave houses and churches throughout the region, however, they are particularly numerous in this valley. A great way to see Pigeon Valley is from above via a hot air balloon tour. Tours leave every morning just before sunrise so you will already be floating above the stunning landscape as the sun comes up.

The Zelve Open-Air Museum, which once housed one of the largest communities in the region is an amazing cave town, honeycombed with dwellings, religious and secular chambers. Zelve is situated about 10 km out from Goreme on the Avanos road. Here, the Christians and Muslims lived together in perfect harmony, until 1924. Then Christians had to leave the Valley because of the exchange of minorities between Greece and Turkey, and the Muslims were forced to evacuate the Valley in the 50's when life became dangerous due to risk of erosion. They left the site to set up a modern village, a little further on, to which they gave the name Yeni Zelve (New Zelve).

The old city of Avanos, whose name in ancient times was Venessa, overlooks the longest river of Turkey, the Kızılırmak (Red River), which also separates Avanos from the rest of Cappadocia. The most famous historical feature of Avanos, which is still relevant and very visible today, is its production of earthenware pottery; it is also the most economic activity in the town. The ceramic trade in this district and its countless pottery factories date right back to the Hittites, and the ceramic clay from the red silt of the Kızılırmak has always been used. It is a popular destination because of its attractive old town with cobbled streets, and views over the river.

In the 2nd century AD there were ascetic monks who had adopted seclusion alone in the Cappadocia region, especially around Göreme. Although they were independent of monasteries and churches, they were an important social community. What made Cappadocia the centre of religious thought and life in the 3rd century was the presence of clergy with powerful character. In the following century, the region was known as the hometown of the three great clergy. These were the Bishop of Kaisareia, Basileios, his brother Gregorios of Nyssagia and Gregorios of Nazianus. Basileios, known as the ‘Great’, returned to his hometown, Kaisareia, the headquarters of the Cappadocia region, to devote himself to the monastic life. He was also effective in spreading the monastery life collectively.

Soğanlı Valley is located in Yeşilhisar district, Kayseri Province, Turkey, in the southeastern part of the region of Cappadocia. The valley contains several rock-cut churches and other rock-cut buildings, carved from the soft tuff stone of the Cappadocian landscape. The village of Aşağı Soğanlı ('Lower Soğanlı') is located at the southeastern end of the valley. The valley splits into northern and southern sections at the village of Yukarı Soğanlı ('Upper Soğanlı'). The valley was inhabited by Byzantine monks from the 9th to the 13th centuries AD. They are responsible for around a hundred churches that have been found in the valley and connected rock-cut houses and cloisters, most of which are now buried, ruined, or used as stables. There are also notable dovecotes carved into the cliffs, with entry holes marked out on the cliff using white paint.

Cavusin Village, located between Avanos and Goreme towns, is surrounded by a valley, which becomes gradually wider, called as Red Valley. By the beginning of 20th century, the village had a composed population with many Christian Orthodox families. The houses of the village were cut into massive rock formations. The insides of many of the dwellings are exposed to natural erosions such as rain, wind and earthquakes too. They are covered in rubble, huge rocks and boulders. You can climb up to top of the village through a twisty path, which offers breathtaking views of Red Valley and Uchisar Castle. There is also a church called as St. John the Baptist from 5th century on top of the village. This church is the second oldest church in Cappadocia and has a unique fresco of "The Murder of St. John" even though the other paintings have been destroyed.

Pasabag in Cappadocia is located on the road to Zelve, coming from Goreme or Avanos. Highly remarkable earth pillars can be seen here, in the middle of a vineyard, hence the name of the place which means: the Pacha's vineyard. Pacha means "General", the military rank, in Turkish and it is a very common nick name. This site is also called Monks Valley. The name was derived from some cones carved in tuff stones which stand apart. Currently, there is a vineyard and a number of tuff cones standing right next to the road. Some of these cones split into smaller cones in their upper sections, in which stylites and hermits once hid. The hermitage of Simeon monks was also here. A chapel dedicated to St. Simeon (Simon), and a hermit's shelter is built into one of the fairy chimneys with three heads. The entrance of the cell is decorated with antithetical crosses. Saint Simeon was living in seclusion near Aleppo in the 5th century, when rumours that he made miracles started to spread.

An elaborate cross-in-square church, carved from the bedrock, a great example of a “negative” architecture, created by removing rather than adding material, its central dome showing the imposing figure of Christ Pantocrator (the All-Powerful), initially carried by four columns - only one of which remains today, leaving the dome seemingly afloat. Arches spring from the columns to pilasters, engaged columns attached to the walls, forming corner bays which are also roofed by small cupolas depicting the Archangels. Three apses define the sanctuary area on the eastern side of the church. In the central apse, fragments of an originally tall altar screen and of the rounded altar still remain in place. All in all, an interior space that had assimilated architectural and functional elements of built monuments and was transformed into the most fashionable compound church plan of its time, utilising the properties of the soft and easily sculpted local volcanic tuff.